He decided that by charging $5.00 a day for rooms and giving guests $5.00 for gambling, he could turn a profit. Hundreds of shares were sold in the company. The new resort was to be called "Tony Cornero's Starlight" and have its own train stop on the Union Pacific track bordering its rear property line but the train station never materialized.

Tony Cornero

Cornero envisioned a casino resort that would be the largest in the world with over 1,000 rooms. The plans called for separate bungalow-type sections with each section being named after the planets and a super-motor scooter was to be used to transport guests to and from their rooms and around the grounds of the 40 acre resort.

Drawing of resort
Donated by Dick Taylor

Cornero sold shares to the general public to raise money and construction began.

In March of 1955, the Nevada Tax Commission deferred Cornero's license. The Commission heard from its agents that the Stardust licence for Cornero and eight partners was still under investigation.

Unfortunately, Cornero would never see his dream come true. On July 31, 1955, Cornero went over to the Desert Inn for some gambling. He was at a gaming table when at 11:17am, he died of a massive heart attack with more than $5,000,000 invested in the resort. The unfinished shell sat empty almost two years while the asking price came down. It looked like Cornero's dream would never become a reality.

Even though the Stardust wasn't opened, someone decided to add a holiday message in the 1955 Fabulous Las Vegas magazine in Cornero's memory.

Moe Dalitz, Allard Roen and their Desert Inn associates took over the Stardust operation for financial backer Jack "The Barber" Factor (brother of cosmetics magnate Max Factor), with the owner listed as Rella Factor (Jack's wife), for $4.3 million according to a January 10, 1958 report. Los Angeles attorney Jerry Rolston was listed as President. The architecture of the partially completed hotel was chaotic. No one was in clear command.

Moe Dalitz

Taken early 1956

It does appear that the Dalitz group took control of the resort before the January 10th report. In early 1956, the Stardust listed her cost would be $7 million with 1051 rooms located on 32 acres. She scheduled her opening in May of 1956.

Maybe the Stardust was initially designed largely by the engineer or contractor. The design was a collection of individual functions without an overall concept or image. The main building was tilt-up concrete walls, covered with wood roofs, a favored method for warehouse and industrial buildings, buildings designed without architects. The two-story motel wings were post-tensioned concrete slab structures. There were other problems with the Stardust. The already built casino ceiling did not allow for an attic story for surveillance of the gaming tables. General Contractor Maury Aroff was brought in to finish the resort.

During this time, stockholders and creditors squabbled over funds in Federal Bankruptcy Court. A creditor's committee moved in, throwing the corporation into reorganization proceedings under the National Bankruptcy Act. After months of hearings and investigations, U.S. District Judge John R. Ross approved sale of the Stardust to Rella Factor, wife of Jack Factor. The President of Stardust, Inc., was Jerry Rolston, Beverly Hills attorney, and managing director was J.R. (Joe) Cunningham.

In July of 1957, rumors were flying that Conrad HIlton was planning to take over this property but apparently this never came to be.

In May of 1958, it was reported that the remodeling of the showroom alone cost the new owners over $1,200,000 with the tab still running in preparation of the opening.

With the opening just days away, Cornero's dream, Stardust, prepared for her birth on the Strip.

In typical Vegas style, greeting and well-wishes came pouring in for the world's largest resort including Souther Nevada Heating & Plumbing, Young Electric Sign Company, El Cholo Cafe, designer Richard Hill, Donn Arden, Desert Inn, Joe W. Brown's Horseshoe Club, M.J. DiBiase Company with John DiBiase Contractor/Sam Scialabba, Paint Superintendent, Wilgar Glass Company, Western Steel Co, the stars of Lido, Nevada Electric Company, Maurice N. Aroff, and Stage Sound & Equipment Inc.

Advertised was Chinese Suite D with the terrace overlooking the Big Dipper Pool along with the bedroom above it, and the Big Dipper Pool as seen from the Chinese Suite.

Jack Lesman took this opportunity to not only show off his Stardust, but to also show-off his work on the Desert Inn stating "Designed, styled, Furnished and decorated by Jac Lessman". For the Stardust he states the Cafe Continental Theatre-Restaurant, Casino, Chemin-de-Fer Room, Keno, Ticker Tape Lounge, Faro, Casino Bar and Cocktail Lounge, Plam Room Restaurant, Pool Pavilion Cafe, and Banquet Rooms and Private Dining Rooms. For the Desert Inn he states 115 lush suites and guest rooms, chuck wagon, Sky Terrace - dancing under the stars (adjacent to the popular Sky Lounge), Private Dining and Banquet Rooms. As a footnote he states "The original Wilbur Clark's Desert Inn, in its entirety, by Jac Lessman.

"Fabulous salutes the latest Bistro to make its debut on the FLV scene - the spectacular Stardust Hotel. This beautiful Hotel boasts 1065 rooms, all furnished in exquisite taste and is the largest in the state. It will be unveiled to the public at high noon Wednesday, July 2nd. There's a great deal we could say about the Stardust, but why take the 'edge off' of its preview? Mr. John Factor, Owner, has spared no expense in building this finest and largest plant in Nevada. The showroom is the most complete and beautifully constructed we've seen since Radio City. The room is terraced to afford an unobstructed view of the stage from any table in the house. We could write for days about the countless innovations in every department, but we'll have to leave it at this point, choosing instead to recommend a "first hand" glance after its opening. We suggest for a treat and an 'eye treatment' stop in and see the Stardust. Fabulous joins every individual in FLV in extending felicitations to this hotel and we hope it will enjoy enduring success.

Many kudos of praise must be given to the local firms who participate to give the strip its newest sprinkle of 'stardust'. Young Electric Sign Co., has contrived the most spectacular yet to be seen on 'Glamour Blvd.' Nevada Electric Co., and Southern Nevada Plumbing and Heating and Larkin Plumbing and Heating Co., have had crews working 'round the clock' for many weeks so that 'High Noon' on July 2nd can be the most exciting moment in your life. And don't try to walk through one of the crystal clear glass installations made by Wilgar Bros., which provides a panoramic view of the pool and gardens. The Stage Sound and Equipment Co., designed the stereophonic sound system which will enable Continental Cafe customers to hear a pin splash in the enormous pool built into the mammoth stage. Lee Hayes and son, Gordon, hard working members of that organization installed the stage equipment. Western Steel Co., must al be complemented for the monumental job of supply materials for the many changes in design which occurred in the final phase of construction. Upon entertaining this new edifice of chance and entertainment you will marvel at the pleasant fusing of decorative colors as done by the M.J. DiBiase Co. John DiBiase and his paint superintendent, Sam Scialabba, masterminded the large crew of painters and decorators who completed this job in record time. Young Richard Hill, the designer, found romance in Vegas which reflected in the magnificent job he created at the Stardust. Dick married Shana Leigh, a Silver Slipperette, some months ago. Our hats are off to the grand fellow who coordinated the entire project from beginning to end Maury Aroff of Beverly Hills, CA. As the General Contractor he earned the respect and esteem of all, from the workmen to the highest management of all men and firms connected with the job. It was a grand job, a stupendous job - well done. Our congratulations to all!!" - Jack Cortez, 1958

The following article appeared with the author unknown in June of 1958: (My guess is that this article was written by Etta Cortez, Jack Cortez' wife as this was her style of writing, but I have no evidence to substantiate my guess).

"Glamour - important names in the business and gaming world and every up-to-date convenience known to the creation of luxury and service are the factors inherited by the luxurious Stardust Hotel the moment it opens next Wednesday, July 2nd, at high noon. Nothing has been spared either in effort or money, to mold this largest resort hotel in the world into a veritable paradise.

Owners of the hotel are John and Rella Factor, whose multi-million dollar investment testifies to their farsightedness and faith in the Las Vegas future. Motivation for Factor's spearheading of this project reverts back to the childhood dream of a boy who began his life amidst poverty and hardship in Chicago. His dream was that one day he might be instrumental in developing something embodying luxury in every form which could be made available to people of limited means, and a spot where, for a minimum expenditure, these folks could enjoy the same pleasures and on as grand a scale as those available to the more affluent.

The Stardust Hotel is the end product of John Factor's dream and fulfills this life-long ambition . . . President of the hotel is Jerry Ralston, prominent Los Angeles attorney and life-long friend and business associate of Factors. Very interested in civic affairs in the West Coast City, his arrival on the Vegas scene is heralded as a boon to the town. . . . Managing Director of the hotel is affable and distinguished Joe Cunningham, another newcomer locally, but a thoroughly experienced and internationally known hotel man. . . . His Executive Assistant is Phil Jordan, another widely known and highly respect hotel executive. . . . Handling Publicity and Public Relations for the hotel is former newspaper executive and prominent Los Angeles public relations expert, David Garrett. . . . Acting as Director of Sales in charge of extolling the hotel's vast convention facilities is long-time Vegas resident Mark Swain . . . . Designer and decorator of the huge casino and dining room-theatre is Jac Lessman, who has designed the interiors of numerous hotels from coast to coast as well as on the continent. His work is world renowned and includes some of the world's most lavish and famous hotels. Recently he was credited with the design and decoration of the multi-room addition to Wilbur Clark's Desert Inn.

The lobby and interior of the hotel was designed by Al Parvin and Company, one of the most prominent organizations of its type in the country and designers of many of Vegas' most luxurious strip resorts . . . In the magnificent 700 seat capacity Cafe Continental patrons will see the most advanced theatre stage in the American entertainment world. Six separate hydraulically operated segments compose the gargantuan stage. Included is a large swimming tank for the presentation of water shows and an ice skating rink at stage level plus rain and snow making devices overhead. Every phase of construction is an innovation in itself, both visually and in the complex sound system, the most elaborate this side of Radio City Music Hall. In presenting stage attractions an entirely new concept in local staging will be employed. Under the supervision of talented Donn Arden, the initial presentation, the revue "Le Lido de Paris," glorifies the European beauty in much the same manner as the Great Flo Ziegfeld glorified the American showgirl many years ago. Conceived by Pierre-Louis Guerin and Rene Fraday and including the famed Bluebell Girls, the production itself is the star for no one in the show is starred or featured individually. Rather, the role of every perform is geared to enhancing the overall effect . . . .

The tremendous Casino of the hotel covers 16,500 square feet and is by far the largest in the area. Directing its fortunes is an impressive list of key personnel that bring a vast amount of experience and know-how into the picture. Executive assistant to the President of the Casino is Chicago-born newsman-restauanteur Tommy McDonnell, syndicated columnist and co-owner of the 'windy city's' famous Singapore Restaurant. He has been a regular visitor to the local scene for many years and is very well known in this area. McDonnell, a tireless worker for the benefit of disabled persons, has received national acclaim and recognition for his efforts in this field and also holds memberships in the Lambs Club, Variety International, Veterans of Foreign Wars, and the Chicago Press Club. Milton Jaffe has been named Casino Manager. Jaffe is a veteran of more than 30 years in the gaming industry and has operated casinos in many parts of the Western Hemisphere. John Drew, Casino Executive Vice President, has been a resident of Nevada since 1936 and is well known throughout the state. He was formerly associated with the Golden HOtel and the Bank Club in Reno, Nevada, and was also co-owner of the downtown Las Vegas Club. Executive Director of the Casino is popular Mike Benedict. A seven year resident of Vegas, Mike was formerly with the New (Last) Frontier Hotel locally. Native New Yorker Ike Stiloff from Saratoga Springs has been a well-known figure in Vegas circles for the past five years. He was a Cadillac-Oldsmobile Dealer in Jersey City, N.J., and Betting Commissioner for many famous racing tracks.

In charge of the dining facilities, capable of preparing more than 20,000 means in any 24 hour period is Maitre D'hotel Andre Simetys. He has been associated with key hotel-restaurants throughout the world. For the past 15 years he has resided in Nevada and operated the Riverside Hotel dining room and bar and the same facilities at the Fortune Club in Reno. His most recent association was at the Desert Inn in Vegas. Erwin Schnider, Chef de Cuisine, has worked at the Atlon Hotel (Germany); New Yorker Hotel (New York); The Hollenden Hotel (Cleveland); the Bel Air Country Club (Los Angeles); New Frontier Hotel (Vegas), and comes to the Stardust from the Dunes Hotel.

Staging the entertainment fare is Donn Arden who has presented special production numbers at the Desert Inn for the past eight years and also produces currently for the Latin Quarter in New York City. Johnny Augustine, Stardust Orchestra leader, was formerly concert master at CBS and a staff Conductor where he was associated with Andre Kostelanetz, Howard Barlow, Freddie Rich and Mark Warnow. He has conducted for Eddie Cantor and Milton Berle in radio and TV and also for the Philip Morris program. Lew Kane is the Stage Manager at the hotel. He was formerly associated with Flo Ziegfeld and for seven years was employed by the famed entrepreneur, Earl Caroll. His most recent association was at the Moulin Rouge in Hollywood. Construction of this vast plant with its 1065 rooms, gigantic lobby, 140 foot long bar, the Elaborate Cafe Continental, pool pavilion, four banquet rooms, Big Dipper swimming pool holding 175,000 gallons of water and staggering kitchen facilities was all under the able guidance of Contractor Maury Aroff. Construction Superintendent is Los Angeleno Ivor Bjork. The entire group of 60 European performers comprising the Le Lido de Paris troupe was flown direct from Paris, France via chartered plane. The company of singers, dancers, mannikins and the famed Bluebell Girls has brought - direct from Paris - one of the most spectacular production ever assembled in Europe. The invitational list to the opening includes governors, senators, city, county and state officials, civic leaders, and movie stars as well as 75 of the nation's top press representatives from across the land." - author unknown

At 12:00pm on July 2, 1958, Tony Cornero's dream became a $10 million, 1065 room reality with what was architecturally little more than a warehouse, charging just $6.00 a day. The resort contained the Big Dipper swimming pool measuring 105 feet in length, a 13,500 square foot lobby, and a decor featuring rich red and deep brown colors and indirect lighting. The telephone number was DUdley4-6350.

The entertainment registry started with the spectacular French production "Lido de Paris", featuring Jacqueline Du Bief in the 700 seat Cafe Continental theater-lounge.

Donated by Lew Averill

Lido de Paris featured The World-Famed Bluebell Girls plus Mammoth On-Stage Aquacade, exciting ice show, Neapolitan Street Scene, Spicy Mademoiselles!, Promenade of European Beauties, stunning Grecian pool scene, astonishing multi-stages, and Apache dances.

The opening night Ticker Tape Lounge lineup offered, from dusk to dawn, Vera Cruz Boys, Billy Daniels, The Happy Jesters, The Idiots, Jack Martin Quartet, Dianne Payne & Her Men of Note, and Stardusters. For the rest of the year Ticker Tape Lounge showcased Al Escobar, Jeannie Hackett Quintet, and Wingy Manone.

"A veritable beehive of activity in what seems to be apparent confusion describes the backstage scene prior to showtime. Then at curtain call it automatically becomes a smooth running organization, moving with orderly precision. We had the pleasure of meeting the man responsible or this transition - Stage Manager Bill De Angelis. Bill 'rigged' the stage at the Stardust, as he has for many new born theatres and night clubs all over the USA for Curran Productions of Hollywood. His staff consists of 20 stage hands under the direction of Bill Burke (formerly of the Flamingo) and seven wardrobe women who assist head wardrobe Mistress Emily Warren (formerly of the New Frontier). Bill will be bringing his family here shortly to reside in our favorite town. His wife is Jeanne K. and there are three children, Denise, 5; Fred, 3; and Roberta,1. When Bill was asked to give up his work for Curran and assume the stage managership here, it presented a challenge he couldn't pass up. He accepted and Vegas gained a smart young executive.

Casualties include featured artist Eric Brenn, juggler, who accidentially fell and required ten stitches to close up his 'noggin'. Eric only missed a couple of performances. Buddy Bryan, dancer, received a badly cut finger from a broken glass button while dancing with one of the Lido lovelies. Valerie Drew had fallen from a horse and received a very deep cut from knee to ankle. It maybe quite some time before Valerie is back to work and all her many friends wish her a speedy recovery.

Phil Phillips, stage door deputy has many interesting tales to be told. He was formerly one of New York's 'finest' and his background of experiences in law enforcement would make a compelling novel!. . . " - Jack Cortez, July 1958

History was made when Billy Daniels became the first entertainer to sign a long-term residency contract in Las Vegas when he agreed to appear for 40 weeks per year for three years.

The Stardust turned its sign into its architecture establishing an unconventional, but effective response to the Strip. It had learned a lesson from the Fremont Street signs, which were already growing in scale. In turn, downtown's Golden Nugget and Horseshoe Club learned from the Stardust by creating entire facades of neon.

The Stardust's sign was unique. The Flamingo's cylindrical sign towered the Strip and the Sands' sign was integral to the architecture. The roots of the Stardust sign also lay in the billboards of the roadside vernacular. The Stardust was the first Strip hotel to not include the prestigious circle drive, spacious lawn and burbling fountain. Its architecture was a billboard that advertised nothing less than the universe itself.

The challenge of the Stardust's sign was not the competition of the neighboring hotels, it was the night sky and the vast desert. They could hide a low sprawl of motel wings without a trace. The sign had to stand out because there were so many fragmented elements spread across a huge lot. It became the architecture by default, yet not an accident. The Stardust was already partially built when Young Electric Sign Company was hired to fabricate the sign. Kermit Wayne's design was selected for both the fa�ade and the roadside signs. Fremont Street's Mint had been the father to the Stardust sign. Although Dalitz said it was from his original plans, the fa�ade sign was really part of Cornero's original concept.

The Stardust gave visitors a panorama view of the solar system that exploded beyond the edges of the building. At the sign's center sat a plastic earth which was 16 feet in diameter, formed in slices three feet across, taken from the Sputnik which was off the front pages of the newspaper. Cosmic rays of neon and electric light bulbs pulled out from behind the earth in all direction. Three-dimensional plexiglass planets spun alongside 20 scintillating neon starbursts. Across the universe was a jagged galaxy of electric lettering spelling out "Stardust".

The sign utilized 7,100 feet of neon tubing with over 11,000 bulbs along its 216 foot front. The "S" alone contained 975 lamps. By day the sky's painted sheet metal looked dark blue, at night the neon constellation was reportedly visible 60 miles away.

The roadside sign was freestanding with a circle constraining an amorphous cloud of cosmic dust circled by an orbit ring and covered in dancing stars. The hotel's name was nestled in a galactic cloud. The attraction advertised the Lido de Paris. Subsidiary signs marked out the domain of the Stardust at secondary entrances. The roadside sign was no larger than the Desert Inn's and Flamingo's which were also circular. Lacking the Desert Inn's lawn and fountain, or the Riviera's dramatic front drive, the front of the Stardust was a parking lot with a sign.

Donated by Lew Averill

Display windows with bezels lined the arcade, and other larger billboards, announcing restaurants and other attractions were prominent to visitors.

The Stardust also conveniently held Las Vegas' only first run drive-in theatre in the rear of the resort. The resort also contained a complete rodeo areana at the back of the property along Industrial Road.

Stardust was the first in many areas including being the Strip property to introduce Keno. It was also the first property to permit interior signs. Before the Stardust, a person had to ask directions. The Stardust showed you the way, usually with flashing lights.

In August of 1958, The Revue de Lido de Paris "C'est Magnifique" was showcased featuring a cast of 50 continential artists including The Bluebell Girls/Johnny Augustine & his Orchestra.

"Two months ago an audience of more than 700 blase' entertainment-jaded newspapermen, gamblers, night club performers and impresarios sat down to watch the new show in the Cafe Continental of the Stardust Hotel, the latest sparkler in Las Vegas' diadem of bright night spots. An hour and a half later they were on their feet roaring approval and pounding their palms to blisters. They had just seen the revised, refurbished and Americanized version of the Lido de Paris' revue, C'est Magnifique, and they gave their superlatives a workout trying to describe it. It was a stunning succession of dance and production numbers interspersed with song and dance soloists, magicians, ice skaters and other specialty acts. The whole was presented on the Stardust's complex of stages - five divisions that can be raised or lowered together or separately by hydraulic lifts, a huge ice pan that slides on and off the stage, a gigantic swimming tank for aquacades, overhead snow and rain making equipment, 40 different 'lines' of scenery that can be push-buttoned into position as needed and a system of stage lighting more complicated and versatile than Radio City's. At one point in the show the entire backdrop bursts into a wall of fireworks. Visually - in the technical brilliance of the staging, the extravagant and scrupulously clean costumes, and the dazzling loveliness of the girls - C'est Magnifique is just that.

But for Americans the real news and import of the show is its treatment of nudity. Never before have so many beautiful girls been so forthrightly and tastefully exposed. Until now nudity in the U.S. theater has been almost exclusively the province of burlesque. With it went the bumps and grinds and suggestive pumps. It was as though our theatrical producers were convinced that American audiences were aesthetically incapable of looking on beauty for beauty's sake and that nakedness had to have indelicate associations. There's nothing wrong with indelicate associations. In their place they're fun. But neither is there anything wrong with a lovely bosom naturally bared. The European theater has known that for 100 years; artist and sculptors have known it for 3,000. The management of the Stardust and the producers of C'est Magnifique have finally proved it to American show business. The Cafe Continental is packed to capacity for every performance.

To make sure no one misses the message, C'est Magnifigue opens with a stage full of loveliness and from the ceiling over the heads of the audience there slowly descend six circular platforms, each containing a breathtakingly beautiful woman wearing nothing but a small triangle of sequins and a colored spotlight. From there on, through exciting routines of the precision-perfect Bluebell dancers, the sumptuous production numbers and the show-stopping specialty spots, the female form is abundantly and unhypocritically evident. With the precedent boldly and beautifully established in Las Vegas, it remains only for our latter-day Ziegfields to pick up the theme and present its variations from NY to LA. This may be the opening of a new era in stage and night club entertainment policies. If it is, you can thank C'est Magnifique for pointing the way. Merci." - December, 1958, author unknown

In September of 1958, kudos was given to boss of Stardust's Chemin de Fer, Hy Goldbaum. As the players concentrated on the game, Goldbaum answered their calls for more money and shelled it out. He kept a tab on the player(2) and then settled after the game. During the course of the evening, Goldbaum was "either the after hours First National or a walking Fort Knox."

In the first week of September, 1958, it as "formally" announced to all that Moe Dalitz, et al., would be taking over the entire resort in its entirety from all present owners. They had also leased the Royal Nevada which had recently closed, and planned to utilize the spot for additional room facilities for their guests. Dalitz then hired Lessman to slightly remodel the Royal Nevada's showroom and made it the coliseum, exhibition, auditorium, convention center. A half circle was added to the Royal Nevada's roofline but the fountain of neon tubing marking the entry was saved.

Lessman was brought back to design the International and Pan American banquet rooms, as well as redesigning the lobby area and the exterior areas of the Stardust. With the addition of the Royal Nevada, the Stardust boasted 1,300 rooms. An impressive archway and an elaborate Polynesian restaurant, Aku Aku, joined the old Royal Nevada which was called Stardust South.

Royal Nevada converted to the Stardust Convention Center (See red square)

Royal Nevada turned auditorium/convention center.
Donated by Dick Taylor

Donated by Howard Klein

Also in September of 1958, Dorothea MacFarland explained the lending library she had inaugurated backstage of the resort. Since many of the cast did not speak English, the race was on to check out American magazines, an easy way to learn the basics of the English language.

Again in September of 1958, a gala birthday-costume party for Enid Mills, Captain of the Bluebell Girls was thrown. Carole Sharpley and Buddy Bryan went as Pajama Game, Brad Craig as a sophisticated martian - complete with doilies, Annette McKay was Belles of St. Trinians, Jeff Duncan was an American Indian, Sheila Shephard was "before and after - flat chested and full", Penny Parfit was a one eyed, one hored, flying purple people eater, Valda Bayne was an "Arab gone wrong", Lance Avant was Moses, Rosiland Michalis was a Las Vegosite, Bernell Dietsch was a Barvarian Tyrolian, Barri Cornish was a "Bluebell Girl after six months in Las Vegas", Vallida was a 1927 bride wearing her mother's wedding gown), and Susan Cartwright was Madame Butterfly just to mention a few. The party was attended by the entire cast, stage hands, wardrobe department, and any other employee who wished to join in.

On October 4, 1958, the newest lady on the Strip had her first sad occasion when her orchestra leader Johnny Augustine died. Although Augustine had been in Vegas since the opening of the Stardust, he had established a reputation for greatness that would be remembered by all who knew him. Eddie O'Neal was hired to take Augustine's place. O'Neal left his job at the Moulin Rouge in Ellay to accept the position.

The Stardust was the last Strip hotel to be built in the 1950's, but it set off a cycle of remodeling and additions. Its influence reverberated down the Strip in the next ten years. In the wake of the opening of the 1959 Convention Center, hotels sought conventioneers as a mix of business and pleasure marked the emerging post-industrial city.

In June of 1959, Stardust hosted a kickoff luncheon for the 1960 Stardust Invitational Basketball Tournament (formerly known as Southwest Invitational Tournament). During this lunch it was announced that the tournament would be held at the Las Vegas Convention Center, which constituted the first major sports attraction to be held in the arena. Stardust took over complete sponsorship of this tournament and was sanctioned by the Southern Nevada Association of the Amateur Athletic Union of the United States with the back of AAU President Kellum Johnson. Serving on the Board for this event were Chairman Thomas McDonnell, Milton Jaffee of the Stardust, John Cahlan and John Romero of the Las Vegas Review-Journal, James Deitch of the Las Vegas News Bureau, Howard Capps, Head Pro at the Desert Inn Country Club, and Wendell Bunker, former City Commissioner.

It was decided that all proceeds from the event would be channeled to the United Fund of Las Vegas. The sponsors a provided $18,000 basketball floor for the Convention Center, and a 9,000 seat structure which would rank among the top basketball pavilions in the nation.

In 1959, Stardust showcased Revue de Lido de Paris - C'est Magnifique featuring a cast of 60 including Alfredo Alaria & his Company/Jill Bissett/The Bluebell Girls/Continental Artists/Marion Conrad/Audre Cooper Sextet/Gino Donati/John Juliano/Lucky Latinos/Margie Lee/Les Marottes/Los Tangos/Marco/Eddie O'Neal and his Orchestra/The Pompofft/Jane Powell/Jack Rains/Beverly Richards/Surfers/Gerard Sety/Thedy & Family/Paul Whiteman/The Vagabonds. The Stardust Lounge showcased Billy Daniels, Barbara Evans, Happy Jesters, Kim Sisters, Roberta Lynn, Tony Pastor, and Guy Pastor. In just eleven months, this show was seen by 800,000 people.

On June 23, 1959, Stardust introduced its new show Le Lido de Paris Revue of 1960 - Ca C'est L'Amour in the Cafe Continental. The entire cast and crew came direct from the Lido Club on Champs Elysees, Paris. The show was conceived by Pierre Louis-Guerin and Rene Fraday. It was staged by Donn Arden. The $350,000 costumes were created by Folco. Stage settings were by Harvey Warren and Fost, music was by Landreau, Brienne and Delvincourt. Stage Manager was Bill De Angelis. Starring in the show were Alfredo Alaria & his Company/Gerard Sety/Margie Lee/Lucky Latinos/Les Marotes/Marion Conrad/Beverly Richard/John Juliano/Jack Rains/The Bluebell Girls/Eddie O'Neal and his Orchestra.

In June of 1959, the Stardust drive-in was breaking attendance records. Cars were lined up for Walt Disney's Sleeping Beauty so the resort decided to keep the movie going for another week so everyone in Vegas could see it.

In July of 1959, New York Yankee football player Mickey Colahan was in charge of the Stardust's card room.

Stardust boasted free parking for 2,500 cars. The resort also contained a barber shop with Al Clay and Dave Marin being two of the barbers. Other employees listed during this year were Syl Petricciani, Morry Jaeger, Phil Diogardi, John Achuff, Johnny Dixon, dealers Dale Harter, and Harry Boardman, Chef Erwin Schneider, Tommy McDonnell, Mark Swain, and Leonard Sivlers. Andre Simetys managed the dining and show section of the resort.

During 1959, Stardust Lounge showcased Audre Cooper Sexte, Billy Daniels, George Hernandez, Happy Jesters, Joy & The Boy, Nalani Kele's Polynesian Revue, Kim Sisters, Roberta Lynn, Wingy Manone, and Tony Pastor.

Fabulous Las Vegas Magazine chose Stardust cigarette girl Cindy Fuller to grace the cover of their May, 1959 issue.

In 1960, the resort added a new 4,800 square foot screen surface to its drive-in theatre. They also installed a new speaker systems which carried practically stereophonic type sound.

In 1960, Cafe Continental showcased Lido de Paris - Ca C'est L'Amour with waterfalls, a disappearing ice rink and magnificent costuming. The stars included Ballet Alaria/Aleco & Vera/Gino Donati/Margie Lee/Lucky Latinos/Marco/Marion Conrad/Beverly Richards/John Juliano/Jack Rains/The Bluebell Girls/Eddie O'Neal & His Orchetra. The Lounge showcased Sam Butera & The Witnesses, Billy Daniels/Benny Payne, Happy Jesters, George Hernandez, Nalani Kele's Polynesian Revue, Kim Sisters, Sonny King, Roberta Linn, Four Jokers, and Helen O'Connell.

In October of 1960, Stardust opened its new Le Lido de Paris 1961 Revue. Also appearing during this time were Billy Daniels with Benny Payne at the piano, Sam Butera & The Witnesses, Roberta Linn, Nalani Kele's Polynesian Revue, and George Hernandez.

It was reported that Aleco & Vera gave up 18 months of their Casino de Paris contract so they could appear at the Stardust. Aleco was so imbued with the desire to dance he left school in Athens, Greece to study the art. His talents and work soon made him the star of the ballet at the opera in Athens. His interpretation in symbolic dances in the Stadium Olympique Antique of the passing of the Olympic Torch was acclaimed a masterpiece. Aleco met Vera at the opera when she was just 13 years old. At 17 she became a premiere danseuse and together they have performed their classic ballets in Milan, Florence, Turin and other famous dance centers of the world. So enthusiastic was the director of the Casino de Paris when he saw their artistry in the Casino of San Remo, Italy he offered them a six year contract in his Paris showplace. Aleco & Vera presented an entirely different approach to the art of the classic nude in that their presentation combined the dance with the power and force and perfection of physical bodies.

By 1961, Stardust's management was unique to say the least. Stardust Credit Manager Hy Goldbaum listed seven aliases with the Los Angeles Police Department, had 14 convictions, including one for assault, and received a three-year sentence for income tax invasion. Casino Manager and 5% owner Johnny Drew, was a veteran associate of Al Capone and was once fined in Illinois for running a crooked dice game at an Elks convention, and Morris Kleinman who was part of the general management team, had served three years for tax evasion.

On August 28, 1961, a farewell testimonial party was thrown for Father Richard Crowley at the Convention Center with entertainment from 10:00pm until dawn. Lou Walters and Harry A. White arranged the party, Stan Irwin and Henry Dunn were the emcees, Bill De Angelis was Stage Manager, and the musicians were provided by Musicians Protective Association, Local 369. Those who appeared at the show were Bogadadis Duo, Shecky Greene, The Dagenham Girl Pipers, The Florence and Fredrick Dancers and Mme. Baron's Can-Can Dancers from Tropicana; Arren and Broderick and Don Urban from the New Frontier; The Barry Sisters and Myron Cohen from Flamingo; The Happy Jesters and The Gimma Brothers from the Stardust; Hank Henry and The Madcaps from Silver Slipper; Ray Anthony and the Book Ends and Davis and Reese from Sahara; The Lancers and Alice Lon from Thunderbird; Arturo Romero and his violins and Eleanor Powell from Dunes; Kay Stevens and Mitzi Green from Riviera; Peter Lind Hayes from Sands; and Louis Prima and Keely Smith from Desert Inn.

On October 1, 1961, Stardust's Robert Linn and Sahara's Freddie Bell (Freddie Bell & The Bellboys) were married at the Little Church of the West. It was followed by a celebrity-packed reception in the Stardust's Pan American Room.

In October of 1961, it was noted that the "invisible haircut" was featured at Dave's Barber Shop at the resort. It was developed for movie stars who couldn't afford to have their hair length vary during the filming of a picture, in the event retakes had to be made.

In an interview Allard Roen, Manager Director of the Desert and Stardust, stated:

"If there were a tremendous volume of players, it would be different [worrying about what the casino makes]. Now when you get a big player, it's just a gamble, Our business is no different from banking. It's a percentage business." [The DI's losses of $80,000 for its annual Tournament of Champions, starring such players as Sam Snead and Arnold Palmer, are natural segments of the percentage equation." - Allard Rosen, November 1961

At the time of the interview Roen owned only 2% of the Desert Inn and 2.5% of the Stardust. He was under two Federal indictments in New York, involving alleged stock swindles totalling $13,000,000.

It was noted that the management team of Moe Dalitz, Morris Kleinman and Samuel owned a collective 66% of the Desert Inn and 39.6% of the Stardust. As partners during prohibition days in Cleveland, they were indicted for operating barges smuggling liquor across Lake Erie. The case was never pursued but Kleinman, who made $931,000 in 1929, served three years for income tax invasion. The trio eventually operated large illegal gambling casinos in Ohio and Kentucky and also entered several legitimate businesses. During the Kefauver Committee hearing, Senator Kefauver asked Dalitz "To get your investments started off you did get yourself a pretty good little nest egg out of rum-running, didn't you?" Dalitz responded "Well, I didn't inherit any money, senator."

During an interview in November, 1961, Dalitz stated:

"Let's say gambling isn't moral, neither is drinking to excess. I think Las Vegas has given people lots of fun. Sure, some will get hurt. but listen, they can go to Atlantic City and get inot more danger in a crap game than here, where there's supervision."

Regarding reports of tax cheating:

"It's crazy! You know who does the most policing? We do! We've helped many a competitor financially."

In 1961, Stardust showcased Lido de Paris of 1961- Avec Plaisir performed by the leading artists of continental Europe including Aleco & Vera/Les Arden Dancers/Les Belles du Lido/Bluebell Girls/Rudy Cardenas/Les Curibas/Dominique/Fichner & his Tyroleans/Edith Georges/Gimmas Boys/John Juliano/Frank Libuse & Margot brander/Eddie O'Neil Orchestra/Parker & Powers/Rolando/Christian Selva/Eleco et Vera/Lily Yokoi.

Stardust Lounge showcased Bernard Brothers w/Treasure Ford, Billy Daniels w/Benny Payne, DeCastro Sisters, The Del-Martins/Roberta & Micki Linn, Nick Esposito, Happy Jesters, Nalani Kele's Polynesian Revue, Kim Sisters, Liberto's Bourbon St. Six, Micki Linn, Roberta Linn, Lobato Dancers starring Nelida, Kiki Paige, Paige Boys, Tune-Toppers, and Miguelito Valdez.

It was noted that the reason Billy Daniels had left the resort was to undergo an appendectomy during a visit to his family in Los Angeles.

In the beginning of 1962, it was announced that John (Jake the Barber) Factor was contemplating a lawsuit against the United Hotel Corporation (The Desert Inn Group). Desert Inn saved the Stardust from going bankrupt in 1958 and Factor was claiming that the Desert Inn spent too much to insure its success. Desert Inn was trying to sell their property interest on a sale-leasback deal. Factor was complaining that there was no security to protect his Stardust interest. I can find no evidence that the lawsuit was ever actually filed.

Ed Sullivan taped his show from the resortwhich aired on January 21, 1962.

During the 1962 Desert Inn Tournament of Champions, Stardust Executive Tommy McDonnell (right) was seen chatting with NBC announcer Bud Palmer at the first tee.

In 1962, Stardust Golf Club's charges were: $10 green fees, $4 for 18 hole caddie fees ($2.50 for 9 holes), $8 for electric carts for 18 holes ($4 for 9 holes), $1 for rental shoes, $2 for rental clubs, and lessons were give for $5 per half hour. The driving range was opened 7:00am to late evening as it was night lighted.

During this year, Cafe Continental showcased Le Lido de Paris of 1962, "Voile!" with a cast of 708 Continental Artists, featuring Bluebell Girls/The Nit-Wits/Ethel Rojo/Florence Rae/Erich Brenn/Nicky Gorska/Mac Ronay/Eddie Seifert & Co./Gerd Maron/Arthur Maxwell/John Juliano/Dancing Waters, and Eddie O'Neil Orchestra. Arthur Godfrey was also showcased during this year.

The Lounge showcased The Apollos, Bernard Brothers, Happy Jesters, Kim Sisters, King Sisters, Roberta Linn, and Micki Lynn/Jack Costanza. During their tenure the King Sisters (Yvonne, Alyce, Luise, Marilyn) received an award for best performances by a vocal group by the National Academy of Recording Arts and Sciences.

In 1963, Oakmoore Country Club of Stockton, California was giving title to the $26,000 cup for one year with each member receiving a gold miniature of the cup in the First Annual Gold cup Matches.

The ten man amateur squad scored 1,000 for the 72 hole event, the first 36 being played at the Stardust Golf Club, and the final two rounds of 18 holes each at the Desert Inn.

During this year Stardust hosted Giovannella's (Joan Markson Carregal) paintings. She is pictured with Stardust Executive Al Benedict.

In 1963, the Cafe Continental showcased Le Lido de Paris - "Voila!", 4th Titanic Edition, with a cast of 70 Continental Artists, featuring the world famed Bluebell Girls, The Nitwits, Florence Rae, Erich Brenn, Nicky Gorska, Dick Albers, Eddie Seifert & Co., Gerd Maron, Arthur Maxwell, John Juliano, Dancing Waters, and Eddie O'Neal Orchestra; Le Lido de Paris - Bravo - 5th All New Edition starring Les Bluebell Girls/Colette Bousquet/Dominque/The Elwardos/Guerre & His Sea Lions/Win Karis/Klant's Tigers w/Rita Luyck/Andree Laurence/Eddie O'Neil Orchestra/Parker & Powers/Mac Ronay/Salvadori/Michael Tartel/Tosca de Lac/Ray Vasquez/

The Stardust Lounge showcased Four Aces, The Andrini Brothers, De Castro Sisters, The Collins Kids, Don Cornell, Barbara Heller, Nalani Kele's Plynesian Revue, The Kim Sisters, Lobato Dancers w/Nelida, The Novelites, Mary Pastor w/Don Peterson, The Andrini Brothers, and Esquivel and his Orchestra.

It was noted that Erich Brenn's hectic act so aroused the audience that they coached him as he dashed madly around the stage keeping bowls and plates dizzily spinning, tossing a tray full of spoons into glasses simultaneously.

The Stardust Lounge showcased The Andrini Brothers, The Bernard Brothers, De Castro Sisters, Don Cornell, The Collins Kids, Esquivel! and his Orchestra, Barbara Heller, Nalani Kele's Polynesian Review, The Novelites, Roberta Sherwood, and The Starlighters. It was also noted that Esquivel broke his glasses backstage of the Stardust Lounge and lost the use of not only the spectacles but a tuxedo as well. Esquivel had seven different pairs of glasses, each a different color to match his tuxedos.

This is a 1963 postcard showing the two properties as the Royal Nevada became part of the Stardust. The resort advertised more than 1,300 deluxe air-conditioned rooms, two swimming pools, free parking for 2,500 cars, and special facilities for groups from 10 to 1,000.

Stardust made an announced that on April 1, and April 3, 1963, bellmen Tommy McEwn and David Maynard became fathers. Bets were on that the babies would be born on the same day but the babies thought otherwise.

In 1964, the Stardust, through New York architect William Tabler, added a nine-story tower, bringing the room count to 1,470. The Stardust was the leader in rooms until 1969 when the International opened. At this time it also remodeled its landmark fa�ade, expanding out into the parking lot by the highway. The new fa�ade by Ad-Art, raised the Stardust's name, still in electra-jag letters, onto a pole above the exploding universe.

In October of 1964, 3,500 members attended the National Licensed Beverage Industry's convention at the Auditorium. When the NLBA first convened in 1954, there were just 800 attendees.

During this year Cafe Continental showcased Le Lido de Paris - Bravo! featuring Les Bluebell Girls, Les Salvadori, Andree Laurence, Dominique, Park & Powers, Colette Bousquet, Mac Roney, The Elwardos, Tosca de Lac, Guerre & his Sea Lions, Klant's Tigers with Rita Luyck, Michael Tartel, Win Karish, Eddie O'Neal Orchestra, and The Novel Novelties.

The Stardust Lounge showcased Don Cornell, Babette DeCastro, Carmen D'Oro, Maori Hi-Quinns/Lynn Rogers, Nalani Kele's Polynesian Revue, The Kim Sisters, The Sun Spots, and Miguelito Valdes. The extra added attractions were The Novelites, Johnny Puleo with Dolly Dawn, and Esquivel!.

In 1965, a new roadside sign by Ad-Art and designed by Paul Miller replaced the old circular sign at a cost of $500,000. Its form was blurred by a scatter of star shapes, a shower of stardust. At night, incorporating neon and incandescent bulbs in the animation sequence, light fell from the stars, sprinkling from the top of the 188 foot tall sign down over the Stardust name, igniting a frenzy and then snowing down onto the fortunate people below.

In August of 1965, Stardust opened Dave's Stardust Barber Shop.

In approximately 1965, Stardust employed 1,500. It consisted of the Cafe Continental where Lido Revue was shown. The restaurants included Aku Aku, Moby Dick, Plantation Kitchen (where dinners were advertised as starting from $1.95), Palm Room. It advertised a 71-par championship golf course, driving range, and pro shop. Golfer facilities included equipment rentals, golf carts, and locker rooms for men and women. The Stardust International Raceway was located 15 minutes from the hotel and was the site of the annual Stardust Grand Prix, the Canadian American Challenge Cup (Can-Am Series), and the U.S. Road Racing Championship. The Stardust Promenade held The Stardust beauty Salon, Barber Shop, Burnett's Women's Apparel Shop, The Mens Shop-Monte Factor, Ltd., and the Gift Shop. It was announced that the youngsters playground was to open in 1967. It also held the Stardust-Greyhound Bus Terminal. The Greyhound also advertised sight-seeing tours to the Grand Canyon, Lake Mead, and Hoover Dam.

Click here to see property map of the Stardust.

During this year, Lido de Paris was seen by actor/producer/director Jose Ferrer, and TV personality Art Linkletter and his wife. Pictured with Ferrer were dancers Julie Broderick and Uta Niklas. Ferrer was in town as his wife Rosemary Clooney was completing an engagement at another resort.

Not one, but two former world boxing champions graced the staff of Stardust. Solly Krieger, former middleweight king of 1938, and Billy Conn, former light heavyweight champion who came within inches of dethroning Joe Louis. Conn was a casino manager and Krieger was a security guard. In their prime, Krieger and Conn fought three times with Conn winning the later two of all three hard-fought matches.

In the beginning of 1965, Stardust mourned one of its own. James D. Murphy, who was the security guard at the stage door of Les Lido de Paris passed away. Murphy worked there during the past three or four years and was known to be always ready and willing to help anyone and everyone who came to him in need. It was stated that he was like a father to many performers who appeared at the resort.

In May of 1965, Stardust held the world's championship high diving contest at her south swimming pool. This was televised as part of ABC's Wide World of Sports. Participants included John Candler, current High Dive Champion who represented Great Britain in the Olympics; John Deininger, 1964 title holder who worked his way through the University of Washington with monies earned as a high diver; and Joe Gerlach of Hungary, a two time runner-up in the event. Other competitors were Rick Langdon, Barney Cipriani, and Ed Cole. Each contestant performed three dives of his own selection, one from an 80 foot level, the second from 90, and the third from 1000 feet. The divers were shooting at a total of $2,000 in prize money, first money being $750.00.

A special preliminary to the diving contest was an exhibition by Norma Dean Maxwell, prima ballerina of aquashows, who was formerly National and Intercollegiate Diving Champion. (Gerlach went on to be a performed at Circus Circus went it opened a few years later.)

In July of 1965, Joe Glaston was appointed Director of Special Promotions for the Stardust/Desert Inn sisters.

Showcased during this year was Le Lido de Paris in the Continental Cafe starring Baranton Sisters/Les Bluebell Girls/Colette Bousquet/Rudy Cardenas/Dominique/The Elwardos/Gimma Boys/Guerre & his Sea Lions/Win Karish/Klant's Tigers & Rita Luyck/Andree Laurence/The Marthys/The Nitwits/Parker & Powers/Fred Roby/Les Salvadori/Michael Tartel/Tosca de Lac/cast of 100/Eddie O'Neal Orchestra. The Stardust Lounge showcased Bernard Brothers, Collins Kids, Carmen D'Oro, Esquivel, Nalani Kele's Polynesian Revue, Kim Sisters, Montecillo Sisters, The Novelties, Johnny Puleo & his Harmonica Gang, Sun Spots, and Watusi Wing-Ding.

Johnny Puleo had to postpone part of his show because on May 21st, he underwent throat surgery. It was reported that Connie Haines did a terrific job filling in until his return.

In November of 1965, Cassius Clay arrived at the resort in training for his November 22nd title bout with Floyd Patterson (Patterson was staying/training at the Thunderbird).

Harry Rahner, Abe Goodman, Marvin Sillman, Maitre d' Andre, and Rocky Sennes, took out ads in the Fabulous Las Vegas magazine. In addition, Desert Inn and Dunes took out a joint ad. The Stardust side named John Drew, Milton Jaffe, Yale Cohen, Lorenzo Grilliette, Al Sachs, John Dixon, George Todd, George Riff, Bobby Stella, Ike Epstein, Mike Benedict, and Phil Ponto.

In 1966, Howard Hughes attempted to buy the Stardust for $30.5 million but the antitrust division blocked his takeover on the grounds that his acquisition of any more gambling resorts might violate the Sherman Antitrust Act. By this time, Hughes had owned the Desert Inn, The Frontier, Sands, Silver Slipper and Castaways.

In May of 1966, ABC Wide World of Sports featured the World High Diving & Target Diving Championships at the resort's pool. Also in May, the management gave singer Don Cornell a gold record cake commemorating his 30th years in show business.

In June of 1966, Nalani Kele was presented with a gold-crested scroll by the Hawaii Visitors Bureau for her "support for the development in Hawaii's tourist industry and for your effective and continuing promotion."

In 1966, Cafe Continental showcased Le Lido de Paris - 6th Edition - Quelle Nuit, featuring Les Bluebell Girls, The Nitwits, Baranton Sisters, Fred Roby, Tony Scotti, The Marthys, Gimma Boys, and a cast of 100, with the Eddie O'Neal Orchestra. Donn Arden staged and created the production, The costumes were designed by Folco.

The Stardust Lounge showcased Harriette Blake, Don Cornell, The Coronados, Kim Sisters, Nalani Kele's Polynesian Revue, Johnny Puleo, Carmen d'Oro, Big Tiny Little, Andrini Brothers, Jose Antonio Revue, The Novelites, and The Zapatas.

In late 1966, Tony Scotti left Lido to go to Hollywood. He was cast in the part of Tony Polar in the movie Valley of The Dolls.

In December 1966, holiday wishes were given as follows:
Nalani Kele; Abe Goodman; Harry Rahner; Lois & Al Sachs. The Desert Inn and Stardust went in on an ad together. The Stardust side listed John Drew, Milton Jaffe, Yale Cohen, Lorenzo Grilliette, Al Sachs, John Dison, George Todd, George Riff, Bobby Stella, Abe Goodman, Mike Benedict, Marv Sillman, Phil Ponto, & Hy Goldbaum.

In 1967, New York sportswriter Jerry Levine was appointed to Resident Public Relations Director of the resort.

Will Berstein, owner of the H.B. Burnett Dress Shop in the resort took time off of work to donate a kidney to save his daughter's life.

The Stardust opened its new seafood/steak house restaurant, the Moby Dick. The creator of this restaurant was Kenny Ryan who was also manager of Aku Aku.

During this year Lido's Bluebell Girls were featured on the cover of the "Stardust News."

In various restaurants throughout the resort, mini fashion shows were held while diners ate. Two restaurants featured were Palm Room and Plantation Kitchen.

In November of 1967, Stardust hosted the Kentucky Colonel Luncheon in the Plantation Kitchen. In attendance were Mayor Gragson, Don Hamilton, Jack Walsh, George Brookman, Tom McLaughlin, Dr. Maury Hack, Tom McNamara, Leo Massaro, Harry Levy, Elmo Ellsworth, Herb Stout, Marcel Le Bon, Professor Charles Steele, W.B. Foster, Cedric Olson, John Arsers, David Canter, Kadell Kremer, Bill Briare, Madison Graves, B.A. Todkill, Randy McElhone, John Moran and Ray Sheffer.

Other conventions include:

October 3-6, 1967, Annual Conference of the National Association of Secretaries of State. Pictured are Secretary of State John Koontz - Nevada, Dr. Frank Stanton, President of CBS, and Thomas A. Mulroy, Clark County Registrar of Voters - Las Vegas.

Directors of the U.S. Independent Telephone Association. Pictured are Executive Vice President Admiral William C. Mott, incoming President Earle G. Bellamy, and H. Dail Holderness, President of Carolina Telephone & Telegraph Company.

Kelvinator Air Conditioners. Albany, New York distributor Clyde Heyl won an air conditioner from General Manager Edmund B. Barnes.

U.S. Department of the Interior Conference including Water Resources Division's staff members Harry Page, Staff Hydrologist - Menlo Park, CA, Walter Hofmann, Assistant Regional Hydrologist - Menlo Park, CA, and Ivan Johnson, Staff Hydrologist, Denver, CO.

MENSA Convention. Pictured are Ellison R. Jack - Western Vice Chairman San Francisco, Bob Kaufmann, San Francisco, Gene Price, Los Angeles, and George Appleton, Las Vegas Secretary. And,

Mystery writer Erle Stanley Gardner, keynote speaker at the American Polygraph Association's convention, takes a polygraph test. Administering the test are Gale Colton, owner of the Nevada Detective Service and her son Stanley, Chief Examiner for the Clark County Public Defenders Office.

On October 7, 1967, Stardust opened her new Horseman's Park. The Park was chosen as the site of the March 1968 American Angus Association convention. This park had a 500 seat lighted arena, exercise ring, 100 covered stalls, feed facilities and parking area actually on the grounds of the resort which could hold up to 1,000 vehicles. Surveying the new arena are Bob Neumeyer, Secretary and General Manager - Sacramento, CA, Dr. Robert Taylor, President - Las Vegas, NV, Lloyd Miller, Secretary and in charge of Public Relations, St. Joseph, MO, Bill Roche, Western Field Representative - Lodi, CA; Mark Swain, Stardust Director of Sales, and Roy Flippin, Horseman's Park Executive Director.

Peppy San, ridden by Matlock Rose, set a new record for annual earnings of $20,012.65 in winning the World Championship at the National Cutting Horse Association finals held at the Park November 7-9, 1967.

Also during this year the Stardust Grand Prix took place. The top picture depicts Mark Donahue in car No. 6, Denny Hulme is behind him who was forced out by a mechanical failure, and the third car is John Surtees who won the race. England's Surtees won the race by holding on the broken gear box of his outdated model of a Lola-Chevy together with one hand while driving with the other for the last 20 laps, setting a new course average speed record of 112.5mph. Second was Mark Donahue who would have won had he not run out of gas on the final lap.

If you think the cars in this picture are running too tight then you're right. Eight cars left the track at speeds in the vicinity of 100mph. The photographer literally ran for his life right after he took this picture. There were no injuries, but several cars were retired from the race.

On the morning following the Stardust Grand Prix, Mario Andretti received $7,500 and a newly created beautiful and unusual Driver of the Year trophy from Martini and Rossi at the Stardust Hunt Breakfast. A panel of distinguished sports writers had gathered at the resort the day before to choose the American Driver of the Year for the famed vermouth company which had long been a supporter of international racing events.

During 1967, Stardust Country Club announced they would be accepting applications for membership. The Tournament of Champions had been improved to make it better for everyone. Renovations included a completely remodeled and expanded clubhouse, and pro shop, new lounge and card room areas, a piano bar and a restaurant. Member were entitled to the use of all the new facilities, reduced greens fees, a locker, golf club storage, and a computerized handicap for $3.00 (guests of members paid $6.00). Guests of members will be the only non-members allowed at the Club. Non-resident memberships were available to applicants not living in Clark Country. The $60 annual non-resident dues included 25 plays at no additional charge.

Harold Ambler was Director of Sports and General Manager, and Bruce Heller was Director Head Pro.

Also in 1967, the Cafe Continental showcased Le Lido de Paris - Grand Prix - 7th All-New Edition, starring Gino Donati, Frederick & Gina, Gil Dova, The Canestrellis, Rico, Les Bluebell Girls, and cast of 100, with the Eddie O'Neil Orchestra. The show was produced by Frank Sennes, and staged and directed by Donn Arden. The theme Grand Prix was created by Pierre Louis-Guerin & Rene Fraday. Dominic Erulin and Frances Terzian were the stuntmen who took a quick tour through history during the show. From guards swimming in a pool in an ancient Oriental setting, they turn into pirates in a fencing contest, completing their time travels as space walkers.

Showgirl Stevie Danik played dual roles in the Lido show. In one scene she played The Girl from Impanema. In another scene she played a captured gypsy in a pirate scene. Just in case you're wondering - she is a natural blonde. Two entertainers in the show were Darlene Drake and Sharon Layne. Drake had her own all-girl orchestra and made appearances in the TV shows My Three Sons, Man From Uncle, Bob Hope Comedy Special, Hollywood Palace, Dating Games, and Dream Girl '67. Layne was formerly with Drake and her all-girl orchestra. Layne appeared in Jig Saw, Man From Uncle, Point Blank, The F.B.I., and Clambake.

Debbie Reynolds' picture was taken while attending the early evening dinner showing of Lido.

The Stardust Lounge showcased John Christmas & The Holidays, Collins Kids, Don Cornell, Coulter Twins, The Cousins, The Dawnbreakers, Esquivel!, Grand Carnival Follies, Johnny Hamlin with Kathy Hayes, Big Tiny Little, Nalani Kele's Polynesian Revue, The Kim Sisters, The Novelites, New Christy Minstrels, Carmen D'Oro & the Zapata Brothers, Johnny Puleo & his Harmonica Gang, George Rock, Royal Showband, Lou Styles & The Stylists, and Sun Spots.

Esquivel appeared on the Johnny Carson Show and they took time to pose for a photograph.

Between 1967 and 1971, Stardust "City-Within-A-City" employed over 2,000 employees. It advertised a youngsters' fenced-in playground which provided day-long supervised activities for children of all ages. This playground consisted of slides, swings, basketball courts all supervised by trained instructors. Also on the grounds was Horseman's Park, where a number of horse shows and rodeos were staged throughout the year. When there were no shows, the resort had horseback riding.